Interview with tattoo artist Hiram Casas
Hello Hiram Casas! Thank you for
taking the time to answer some questions for our readers. How it all started? Do you have like formal art training? How did you learn the basic skills? I’ve been involved in arts since I was a child, my oldest
memories are filled by scratched papers and crayons. I do have a
formal art education. At a very young age my parents noticed my
obsession with drawing and I started to take lessons after school, I
did that for many years until in 2005 I was accepted at the St
Alejandro Fine Arts Academy where I received tuition in painting,
sculpture, art history, etc… and graduated in 2009 as a digital arts
specialist. Drawing has always been my hobby and my passion so I
cannot say it was hard to learn the basic skills, but some of the
Art Academy assignments were definitely tedious for my young and
immature self, I will always appreciate the patience of my mom and
teachers.
Q: Every start is difficult, even for super talented people.
What was the most challenging part of becoming a tattoo artist? What
kept you motivated?
A: When I started tattooing, I approached this new technique with
the same curiosity as the other art disciplines that I was already
involved in. It was a new hobby to me, cool and edgy, and I wanted
to learn how to do it. To give you some context: Tattooing in Cuba
was in a legal “limbo” and while it wasn’t necessarily ilegal to
tattoo, there was no licensing from any department to validate the
practice of it, so there were no formal tattoo studios in Cuba that
could offer an apprenticeship. If you wanted to learn you will
either have to know a tattoo artist willing to teach you or just go
and try to figure it out by yourself. I’m a self taught tattooer, I
learned watching tattoo reality shows like Miami ink and clips from
YouTube, pausing and rewinding to try to figure out how deep the
needle was supposed to go into the skin and the amount of voltage to
run my cheap tattoo machine.
Q: What type of tattoos you use to do as a beginner? Who
gave you the trust?
A: I did my first tattoo on my little sister, nothing complicated, I
understood I was a beginner and took it one step at the time. Many
of my friends suffered from my inexperience before I attempted to do
an intricate tattoo. At the very beginning I did a lot of simple
tribals and line work. Stars where trending back in the day so I
tattooed plenty of those. I was also fascinated by koi fish and
Japanese tattoos, but it took me a long time before I could do a
decent one. Having an art background definitely helped me, because I
understood shapes, structure, dimension, and my hand was trained,
but I was aware of the permanent aspect of tattoos and I forced
myself to be respectful with the craft and trust the process.
Q: Today, your work looks awesome. Your hard work really
paid off. I bet you inspire a lot of young people who want to try
getting into this business. We watch the Ink Master Series featuring
you. Oh Ghosh, I guess this opportunity really sets you apart from
many artists out there. How this experience changed you as an artist
and maybe even as a person? Would you say it taught you a lot about
tattooing, and overall team work?
A: Thank you! Ink master was definitely an interesting experience, a
good one for me, It tested not only my tattoo skills but also my
resolve and ability to confront different situations and I
appreciate that. I enjoyed the competition and learned from it. I
don't necessarily think it changed me as an artist but definitely
added tools to my arsenal and I’m a more mature individual because I
had the opportunity of being part of the show.
Q: What was the funniest part?
What was the best part?
A: The funniest part of the show for me was the trash talking at the
common areas, I don’t like when people are disrespectful but I
definitely appreciate the creativity of some of the contestants when
they have to critique a tattoo and I enjoyed being part of that
dynamic. The aftermath of the flash challenges was also fun!
Q: Is there anyone you look up to?
A: I admire a lot of artists, I like all kinds of styles and I
appreciate hard work and dedication. I’m blessed because at Basilica
Tattoo I work with a solid team who are constantly pushing to get
better and that motivates me to keep learning and grow.
Q: As an award winning artist, how much the attention and
the acknowledgement of your talent means to you? Do you have any
favorite award, or an award that you consider as a career highlight?
A: That’s a hard question. I believe all artists create for the
recognition. That’s what feed our inspiration. Maybe some artists
need thousands to know and compliment their work while others will
only need one person to appreciate it and that will be enough to
fill their motivation. To me, art is intention and communication, a
back and forth between the creator and the spectator. I don’t
believe an art piece is finished until is seen by somebody, I think
a painting that was created and destroyed before someone could see
it, never became art. That’s just my opinion. I definitely
appreciate the recognition when I do good work as I appreciate the
honest criticism that will make me improve when I don’t. When you
are in a competition, wining always feels nice and awards are the
souvenirs of winning, but that only means you did better than the
competition that specific time. I try to stay humble, keep learning
and not allow awards to feed my ego.
Q: I see beautiful black and gray tattoos, would you change
something, let's say try color tattooing? Or maybe try a completely
different style?
A: I always enjoy experimenting with other tattoo styles, I love the
creative process of trying new things and be able to explore
different graphics solutions. I like Neo traditional, traditional,
abstract tattoos, trash polka, geometric… but I think all these
styles require time and dedication in order to master them. I always
remember that time when I was working at a walk-in studio and had to
do all kinds of tattoos, It was fun and I learned a lot. Back in art
school I really enjoyed drawing portraits and realism, this
conditioned my style of tattooing, I decided to focus on becoming
the best I could be in what I do and after years of only exploring
one specialty, I still believe that there is so much to learn.
Q: I've seen a few drawings... the Chris Cornell... omg so
beautiful! How much the drawing skills play a big role in tattooing?
Since almost all of your tattoos are portraits, do you draw for your
clients like a sketch before the session?
A: Thank you! Drawing is the foundation of all graphic arts, and
like every discipline is mastered by repetition, training your eye,
your mind and your hand. Drawing has always been my favorite thing
to do. Tattooing is just another medium to create art, without that
foundation I wouldn’t be able to do the kind of intricate work that
I enjoy. Most of the time when I approach a realistic piece I prefer
to use a "real" reference or photograph instead of a hand made
drawing, but all realistic artists should understand at least
composition, contrast, dimension and balance. All these concepts
where introduced to me by drawing a lot while growing up.
Q: Many people think that being a tattoo artist is a lot of
fun and I bet it is for most time. However, tattooing is also very responsible job
and it requires a lot of patience and simply hard work, even for the
talented people. What's the best and what's the most challenging
part of being a tattoo artist?
A: I believe I have the most fun career in the world and I’m really
fortunate of being able to do my hobby as a full time job. We create
art pieces everyday while having the opportunity to meet interesting
people. Tattoo artists become designers, salesmen and therapists in
each tattoo session and that makes the job fun and challenging at
the same time. I understand I have a responsibility to my clients,
and they expect certain level of quality, that’s why patience is as
important as creativity. Throughout the years tattooing has
strengthened my tolerance and I’m a better artist because of it.
Q: Tell me a little bit about the "Basilica" Tattoo Studio.
How many resident artists are working there and how is the overall
work vibe there?
A: Basilica Tattoo was founded in 2016, is located in Las Vegas,
Nevada and is one of the most beautiful and welcoming shops you
could ever visit. I’m proud to be one of the two owners of the
studio and we have a team of artists that are always pushing to
achieve greatness. We are always motivating each other and sharing
techniques to improve our individual work. Basilica is famous for
being one the best realism studios in the west coast, but our
diverse and versatile crew creates custom and unique tattoos in many
styles. We are a family here and you get that vibe as soon as you
walk inside the studio.
Q: Any advice for the new artists?
A: For all those talented new artists that want to be part of the
tattoo industry: trust the process and respect the craft, draw
often, you don’t have to create masterpieces every day but a simple
sketch in your free time will be enough to keep you creative and to
train your hand. Be curious, ask questions and don’t be afraid of
experimenting with new styles. Nobody knows anything from birth, so
is ok to fail, try again and fail a little better each time, it
takes time and discipline to master the technique but this is one of
the most rewarding careers you could pursue. Good luck!