interview with tattoo artist Jakob Holst
Hello Jakob Holst! Thanks for taking some time to do this interview.
Please start by telling us something about yourself and your
background.
My name is Jakob Holst, I am 30 years old, I have two children
and a girlfriend who I love very much, I live in Aarhus in Denmark
and I own the tattoo studio Venlig Hilsen, together with five of my
best friends. I have been drawing my whole life, but not seriously
until I began getting tattooed myself. I went to an art school when
I was 19 because I wanted to take drawing more seriously.
Q: Many young people are struggling to get apprenticeships.
There's uncertainty in the
beginning. Either there's no room in the studio, the cost is too
high, or you are just not good enough to begin with. Is it possible
for one aspiring artist to learn the basics with constant hard
work and some reference from social media, videos etc? How was your
start?
A: I bought my own tattoo kit when I was 20, but I could not get the
results that I felt people deserved so I stopped pretty
quickly. I had a friend who was also tattooing and he got pretty
good. He opened his own studio and when he was good enough to teach
me some stuff, I started tattooing in his shop. I did my first shop
tattoo when I was 22. I got into tattooing right when it became
”mainstream”, and I was lucky enough to get in a shop that my friend
owned. But he didn't teach me that much, I had to teach myself
a lot of stuff and try a lot of different techniques, without any
help. I would always recommend getting an apprenticeship, and not
starting on your own. There is so much that the internet can't teach
you. That's why I gave up the first time. I didn't feel like I had
the knowledge to permanently scar someone. My advice to the new
artists would be to just keep grinding, get good at drawing,
develop your own style and understand the principals of doing
a good tattoo, that flows well with the body and has the contrasts to
hold with time. Build a solid portfolio that shows a lot of
understanding of tattoos and how the anatomy of the body has to be
taken into account. I draw every day still, because there is so much
to learn and explore.
Q: I really love your style. I like when an artist has one
signature type of work, so there is a clear vision of what a client
can get. Is there any artist or art style that inspired you?
A: I think the style that I first fell in love with was Japanese. I
love Jeff Gogue and Shige and still look at their work for bigger
pieces. The way they work with the body is just perfect. From that I
went on to love new school and neo traditional, because of the
vibrancy and feel of it.
Victor Chill and Jamie Riis are still huge in my world, even
though I don't draw new school anymore. I started drawing a lot of
Neo and tried to imitate all of the big neotrad guys, like Peter
Lagergren and Rodrigo Kalaka. I fell in love with dot work when I
wanted to try something completely new and when I first did it, I
knew that was the technique I wanted to work with. I never felt
like I could do soft shading with a magnum needle and the dot work
just made it easier for me, and had such a different look and feel,
so I kept doing it. It took me a long time to get it right, but now
I feel like I'll never do shading any other way. It just feels
right. From there I just kept building my style, drawing everyday
and looking at tattoos for inspiration. Right now my biggest
inspirations are Bruno Santos, Fredao Oliviera and Robert Borbas.
They are awesome.
Q: Do you look back at some of your old works and see how
much you've grown, or there's still a lot to learn?
A: I don't feel accomplished in any way at all. I feel like I'm a
lot better than when I started drawing and tattooing, but I make
mistakes everyday. That's a part of getting better. Realizing that
you made a good tattoo or drawing, but also knowing that it could be
a lot better. There's always more to learn. About everything. I have
a lot of knowledge about everything tattoo related, but knowing and
doing is not the same.
Q: Would you change something, like playing with color inks
for example?
A: I'm still trying to develop my style and I hope that I will never
stop doing that. I did do a lot of colors earlier in my career, but
I feel like I really want to focus on dot work and black/grey. It's
just timeless and classic and it I feel like it heals better and
looks better than color does. I often think that adding one or two
colors into your black & grey tattoo is cool, but I don't want to play
too much with that. It can look really cheesy. I think that
Christian Kasas and Bruno Santos does it really well, but I'm not
there yet.
Q: How do you prepare your designs?
A: I use an Ipad Pro with the Apple Pen. I used to really hate on
using tablets and Photoshop, but once I got my own I quickly
realized that this is the future and there is no looking back. I
still love drawing on paper and I really wished that it was just as
easy and practical to prepare on paper. But the iPad is just
superior in every way. There is no mess, no paper waste, no printing
out reference in the right sizes, etc. It's just awesome.
Q: Do you negotiate with your clients on ideas, placement,
size etc?
A: I don't negotiate as much as I tell them how it should be. I'm
too far into this career to let clients tell me how to do my work. I
know what works and what doesn't, and I'm very straight forward
about it. A lot of clients have to get used to me taking control,
but it always works out for the best in the end so I'm not too
worried about peoples' reaction. Mostly clients are very open to all
my ideas and suggestions, which is amazing. But I've sent some
people home again, just because they were really set on placing it
somewhere that would look like shit. At the end of the day it's my
name on the tattoo. It's my call to do what's best for the client
and I'm not going to make a shitty tattoo just to make someone
happy.
Q: What do you like the most about the tattoo industry today
compared to just 6-7 years ago? I think there is undeniable progress
we should all appreciate.
A: I like how fucking good people have gotten. I got into tattooing
about 10 years ago, and back then it was pretty basic stuff,
compared to what's going on now. Everyone is killing it! And you
have to stay on top of your own game, to not get left behind. I feel
like the community have gotten a lot more supportive. I remember
when I started, everyone wasn't talking with each other and everyone
had beef, but now everyone is so cool. It's the
mentality and spirit of the younger generations, and not the old
school tattooers who feel like they own everything in this industry.
And that's what's so amazing about tattooing - there is room for
everyone! Every type of person, every style of tattooing. And people
care more about the art and art form across different styles, than
what they used to, I feel. People who do neotraditional can
appreciate color realism and vice versa. It's gotten more welcoming
and people really care a lot about the craft and the people behind
it. I also love the fact that clients have a way better
understanding about the industry and the tattooers in general.
People really care a lot more about what they put on their skin,
and that also helps the industry to push forward. Because people
won't stand for shitty tattoos and shitty people.
Q:
Any motivational words for those who are just starting?
A: Just keep doing what you do best. Develop your style and get
good at what you feel like is your thing. You don't have to be good
at every style, as long as you're good at your own. Spend every day
drawing and look at art and tattoos every chance you get. Talk
about the tattoos you see. It's important to know why you're doing everything that you do.
Why do you have contrast there? How do you push something forward
and something in the background? Where is the light coming from? I
tell my apprentice that every element in his drawings should be fun
for him to tattoo. So if you feel like hair is the most boring thing
to tattoo - find your own way to make it fun! It shows in the
tattoos when people are having fun and doing what they love. Working hard means more than talent, and if you work twice
as hard as the other guy, you're going to get far. Draw every
day. I
have two children, a girlfriend and I have my own shop, and I still
find time to do designs for clients and drawings for my own sake. Be
very critical about your own work and don't cut any corners. It's
not going to pay out in the long run. I've done it, I've gotten
some bad habits that I'm trying to get rid of.
Please write your contact info and studio location.
Thanks so much for letting me do this!
My contact info is Jakobtattoos@gmail.com
My studio is located in Aarhus, Denmark and it's called Venlig
Hilsen.